Hope Villanueva
she/her
Stage Manager
Asian, Hispanic, Latiné, Native Hawaiian or Pacific Islander, Woman/Femme
Actors' Equity Association (AEA)
Rockville, MD
Hope is a multi-hyphenate stage manager, playwright, screenwriter, and all around theatre person, drifting around the country as the theatre projects call. As a native Californian living on the East Coast, she is interested in stories about diverse people at the crux of big life changing decisions and in exploring what can be done onstage better than in any other medium.
Credits
Production Stage Manager (for all listed)
A Room in the Castle (Folger Theatre & Cincinnati Shakespeare), Mexodus (Berkeley Rep & Baltimore Center Stage), The Fires (SoHo Rep)The Dragon King’s Daughter (Kennedy Center), King of the Yees (Signature Theatre), Blues for an Alabama Sky (Barrington Stage). A Nice Indian Boy (Olney Theatre Center). Off-Broadway: Who’s Your Baghdaddy? or How I Started the Iraq War. National Tour: Rock of Ages, Young Frankenstein, My Fair Lady, Ringling Bros. and Barnum & Bailey’s Bellobration. Regional/Other: Romy & Michele: The Musical, Double Helix: A Musical (NYC Workshop/Bay Street Theatre), Rock of Ages Hollywood. WILD: A Musical Becoming (A.R.T., dir. Diane Paulus, feat. Idina Menzel, Javier Muñoz). Our Town, Awake and Sing (Olney Theatre Center). The Day You Begin (Kennedy Center), Little Shop of Horrors (Idaho Shakespeare). Singles in Agriculture (Bristol Riverside Theatre), Once Upon A Pastime (WPPAC, NY), Endgame (Baltimore CenterStage Mobile Unit), The King and I (Riverside Performing Arts), Honolulu Theatre for Youth, Resident PSM. Washington, DC: BLKS (Woolly Mammoth), Twist Your Dickens (The Second City/Kennedy Center), Private, Marie and Rosetta, The Vagrant Trilogy, Paper Dolls, Queens Girl in Africa (Mosaic Theatre), Hand to God, Choir Boy, Laugh, and The Big Meal (Studio Theatre).
